Upright Bass Vst Plugin Free Download
Apr 16, 2020. Visit his website to download the free piano samples that were used to create Upright Piano. Compatibility This freeware instrument is compatible with all VST, VST3, and AU plugin host applications on 32-bit and 64-bit versions of Windows and macOS.
Leads are great. They are the sugary surface of any good track. They get you in the door and perk you up.
But we all know what that one special ingredient is… The most important part of arranging and writing songs. It’s the soul of any good track:
The BASS.
But there’s thousands of free VSTs out there. Which ones are good for bass? No sweat. We found all the best ones so you don’t have to dig.
Here’s our 10 favourite free bass VST plugins that will give you bigger, better bass.
Steinberg – Model E
The Model E is a useful 3 oscillator bass station capable of pumping out some nice lines.
The super simple controls make all your options easy to see and tweak. Plus the lower CPU usage means easy breezy basslines in no time.
TAL – Elek7ro
When it comes to free VSTs no one beats TAL. All their free plugins work great and are super useful. I’m a huge fan of their plugins and you should be too.
The Elek7ro is no exception to their history of producing high quality tools. This synth-plug is good for pretty much everything. Including making some nice full basses for your tracks.
It even comes with a super helpful user guide for getting the most out of Elek7ro.
Plogue – Sforzando TableWarp2
The TableWarp2 is part of Plogue’s Sforzando bundle. It’s a versatile synth that gives you tons of classic sounds…
Including some superb mid-low range basses perfect for beefing up your tracks.
NUsofting – Sinnah
The Sinnah is great. It can create cool noisy tones with its 3 channel delay matrix and feedback sculpting.
It also has a pretty solid onboard EQ which really helps bring out the magic in each tone. So you can get tons of control over the bass sounds you create.
Upright Bass Vst Plugin Free Download Free
TAL – Bassline
I’ve already talked about the TAL-Bassline in an older Free Plugins article. But I had to put it on this list because it’s so good. The Bassline is basically built for better bass.
This plug has a warm analog sound and ‘robust core‘ for all your bass and acid needs. Plus, the TAL Bassline user guide will have your walls rattling in no time.
u-he – TyrellN6
U-he is another major source for some very superb free plugins. The TyrellN6 is a powerful overall plugin that will give you all varieties of nice analog synth sounds.
That means wicked basses too. It also has some nice triggering features that are super fun to play around with and a nice, clean interface for easy tweakage.
The download page is in german. So if you don’t speak German just scroll down to find the download link!
Ample Sound – Ample Bass P Lite II
The Ample Bass P Lite II is a nice electric bass plug perfect for some groovier and more rock-centric bass sounds.
Ample Bass also comes with some nice ‘articulations’ including palm mute, slap and legato slide for those little accents that makes bass pop.
LinPlug – FreeAlpha
This plugin is the free version of LinPlug’s Alpha. But just because it’s the free version doesn’t mean it’s not good. In fact, it’s great!
FreeAlpha‘s 2 oscillators are perfect for all sorts of nice basses and the built-in presets are superb starting points for all types of bass and more.
Bruce Sutherland – JUCEoplvsti
If you ever dreamed of making all those incredible sounds that lived on old DOS games then this plugin is your hot ticket.
JuceOPLVSTI is modelled on the Yamaha OPL sound chip found in some old PC computers.
Juce’s interface is a lot like a video game and is super easy to use to get some superb basses, leads and pretty much any other sound you need from an FM synth.
Synister – Synister
Synister is one of the best looking and easiest to use synth plugins I’ve ever seen. This 3 oscillator synth is perfect for making all types of basslines.
The interface is simple, organized and easy to follow. The effects, envelopes, oscillators, LFOs and filters all have their own drop down menus for an easy workflow. And it even has a built in step sequencer!
The bassline bottomline
A good bassline can make or break a track. Finding the best one for your track can be tricky.
These bass VSTs will give you everything you need to find the right one (Hot tip: Turn your monitors way up while you’re experimenting if you wanna meet the neighbours).
Put these in your DAW, start experimenting and take a trip to the international bass station.
If you’re already set for bass check out our other Free VST Plugin Favourites:
To produce this library, the bass was sampled through a close-miced stereo pair of Shure SM81’s, an AKG D112, a Neumann Tlm 102 and a “di” bridge pickup. During mixing, it was determined that the SM81’s blended with the D112 gave the best overall tone. The bass was sampled over the course of a few 10 hour sessions, where the bass player played plucked notes, slap bass, and slides. Boy did his fingers burn after those slides!
Do to the nature of the recording environment, the samples contained a lot of noise, and had to be denoised, although some of the noise was left in so as not to affect the tonal qualities of the upright bass too much. As an instrument that is more-or-less destined to sit in a mix, we don’t feel that the slight noise is much of an issue, and do to the percussive nature of an upright bass, tends to fade-away quickly.
Auto tune evo mixcraft. Mar 01, 2018 Auto-Tune Evo VST Publisher's Description. Auto-Tune corrects intonation and timing problems in vocals or solo instruments, without distortion or artifacts, while preserving all of the expressive nuance of the original performance - with audio quality so pristine that the only difference between what goes in and what comes out is the intonation.
The goal of this library was to strike a balance between a realistic upright bass sound and a useable vst, aax, au plugin, therefore, the articulations are “pre-recorded” as opposed to engineered/programmed. Although software simulation allows for more control over playing, nothing sounds quite like live articulations.
A future version is planned where we will resample an upright bass in an acoustically pleasing environment (with close and room mics), so that the user may blend between different amounts of natural reverb and ambiance.
Free Bass Vst Plugin
ENGINEERING
The (depreciated 12.28.2019) Kontakt version of Adam Monroe’s Upright Bass is cross-platform. The VST, AU, and AAX version are programmed by us. The goal in any sample library that is also a VST (virtual instrument), AU (Audio Unit) or AAX plugin is to attempt to match the performance of the Kontakt Player. We feel the performance of this VST, AU, and AAX versions are comparable.
Free 808 Bass Vst Plugins
The VST, AU, and AAX versions include high-performance algorithms that have been improving with each new virtual instrument released by Adam Monroe Music. For example, the buffering algorithm is double-buffered and multithreaded, which means that buffering performance is fast, even on slower computers, and even at lower latencies. Voices are held and iterated over in a pure, C-Style array. Memory use is lower in the VST version than in the (Depreciated) Kontakt version (70-130MB). The VST, AU, and AAX versions also now include native support for 44.1, 48, 88.2, and 96k Hz sample rates. Because of the solid VST, AU, AAX code base and you can feel confident that the VST, AU, and AAX versions should work just as well as the (depreciated) Kontakt version.
When it comes to upright bass, there are several considerations in regards to articulations. What do you include and how are they triggered? Unlike some other upright bass sample libraries, we decided it would be best to separate the slap sounds, and the softer, natural pizzicato sounds, and allow the user to control them with the sustain pedal. We decided to limit slides to major and minor 3rds which can be controlled by the pitch wheel; holding the pitch wheel slightly up before pressing a note will trigger a minor 3rd, holding it more aggressively up will trigger a major third, and the reverse is true for slide-downs. You then have to move the pitch wheel back to the “neutral” position to trigger another slide. We feel this prevents the user from triggering unwanted slides. Slides don’t work for notes that don’t make sense (like up from and down to E1). Hammer-ons and pull-offs were also recorded, but in the end it was decided they did not add much value to the library and would be difficult to control outside of automation.
* 24-Bit Audio Samples (With Separate Slap Samples)
* Round-Robin, 10 Velocity Layers
* Reverb, Slides, and Slap Patches
* Supports 44.1, 48, 88.2, and 96 kHz
Home Page: http://adammonroemusic.com/amuprightbass.html